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Together scholars working in this emerging area to explore how attention to Perception that allow for the observation of phenomena. On novel and emerging mechanisms of (prosthetic) sensation and The human body becomes medium and scientific knowledge is dependent Of the objectified world we have constructed since at least the 18th century.Ĭontra McLuhan, but in line with the recent work of John Durham Peters,

Smart homes, and smart cities, they will continue to shape our knowledge As objects become 'smart,' as in the Internet of Things, Here's the abstract: There is much exciting work being done at the intersection between media Discussants included Sebastian Gießmann (University of Siegen), Melissa Gregg (Intel), Heather Wiltse (Umeå Institute of Design at Umeå University) and myself. Presented at 4S (Society for Social Studies of Science Annual Meeting) 2019 in New Orleans on a roundtable organized by John Seberger (UC Irvine) titled 'Media Theory Meets STS'.Although most activities are outlined here, some additional information can be found at The Studio for Critical Making which I direct. This provides a 0/1 teaching load until 2024 among other things.

Happy to announce that my second 5-year term of Canada Research Chair in Design and Media Arts (Special Tier 2) atĮmily Carr University was awarded for renewal in Spring 2019.The Institute of Network Cultures is directed by Geert Lovink. This book is edited by Loes Bogers (Amsterdam University of Applied Sciences) and Letizia Chiappini (University of Milan Bicocca) and is the 13th publication of the INC Reader Series. Matt Ratto and I co-authored a chapter titled 'Critical Making and Interdisciplinary Learning: Making as a Bridge Between Art, Science, Engineering and Social Interventions' that will be published in The Critical Makers Reader: (Un)learning Technology, published by the Institute of Network Cultures in Amsterdam.I am exhibiting in the Glasgow International Biennial, co-curated by Sarah Cook in Glasgow, Scotland 24 April.Through online workshops and presentations, the contributors invite a broad audience of artists, activists, teachers, theorists, students, designers, etherpads and other non-humans, to engage with diverse subjects such as alternative economies, feral ecologies, shared authorship, xeno-biologies, pedagogies, publishing infrastructures and radical collectivities. These practitioners will share their work in which thinking and making are entangled, and will discuss the critical potential that this entanglement entails. The conference brings together practitioners from various backgrounds and disciplines such as artistic research, experimental publishing, visual art, business and performance. They show a potential to develop a comprehensive approach to art, science and technologies, driven by the necessity to fundamentally reimagine the relationship of humans to the world. These practices actively engage with our catastrophic times and yield collaborations that connect cultural, technological and more-than-human concerns. Recent years have seen the emergence of a new kind of collective material practices that transgress the classical opposition between theory and practice, or thinking and making. The three day conference is organized by the workgroup Material Practices (formerly known as Critical Making). The Making Matters Symposium is described as follows: The Studio for Critical Making, Room C4246 Send the item with a note that includes your postal mailing address to: If you would like a handmade hardcopy of this book, mail a physical item - any item at all - to me and I will send you a copy as long as supplies last.

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A PDF can also be downloaded for free at. I made a new quick zine titled ' Two Terms: Critical Making + D.I.Y.' that I will be launching at Florian Cramer's Making Matters Symposium that is hosted by Het Nieuwe Instituut in Den Haag from November 19th to 21st 2020.